{"id":259386,"date":"2018-07-25T09:17:14","date_gmt":"2018-07-25T07:17:14","guid":{"rendered":"https:\/\/casanatense.cultura.gov.it\/sin-categorizar\/las-artes-de-ramon-llull\/"},"modified":"2024-10-16T09:02:40","modified_gmt":"2024-10-16T07:02:40","slug":"las-artes-de-ramon-llull","status":"publish","type":"post","link":"https:\/\/casanatense.cultura.gov.it\/es\/editoriales\/las-artes-de-ramon-llull\/","title":{"rendered":"Las artes de Ramon Llull."},"content":{"rendered":"

[et_pb_section fb_built=\u00bb1″ admin_label=\u00bbsection\u00bb _builder_version=\u00bb4.16″ da_disable_devices=\u00bboff|off|off\u00bb global_colors_info=\u00bb{}\u00bb da_is_popup=\u00bboff\u00bb da_exit_intent=\u00bboff\u00bb da_has_close=\u00bbon\u00bb da_alt_close=\u00bboff\u00bb da_dark_close=\u00bboff\u00bb da_not_modal=\u00bbon\u00bb da_is_singular=\u00bboff\u00bb da_with_loader=\u00bboff\u00bb da_has_shadow=\u00bbon\u00bb][et_pb_row column_structure=\u00bb3_4,1_4″ admin_label=\u00bbrow\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb3_4″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.27.0″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

por Jos\u00e9 Higuera Rubio<\/em><\/p>\n

Se trata de una presentaci\u00f3n de la obra filos\u00f3fica y literaria del pol\u00edgrafo mallorqu\u00edn, a trav\u00e9s de cinco representaciones de la cosmovisi\u00f3n medieval, seg\u00fan la interpretaci\u00f3n actual, que en igual n\u00famero de cap\u00edtulos nos presentan un resumen abreviado del perfil intelectual de uno de los pensadores y escritores m\u00e1s relevantes de la regi\u00f3n ibero-mediterr\u00e1nea durante el siglo XIII.<\/p>\n

<\/p>\n

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Los cap\u00edtulos son:<\/p>\n

i.) El \u00e1rbol<\/strong>, esta representaci\u00f3n del saber se utiliza como dispositivo de ordenaci\u00f3n y portabilidad del conocimiento. Es, con mucho, el s\u00edmbolo de aprendizaje m\u00e1s utilizado en el mundo medieval y en las primeras enciclopedias modernas. Hoy en d\u00eda, el \u00e1rbol es un m\u00e9todo algor\u00edtmico de organizaci\u00f3n de datos, adem\u00e1s de utilizarse en la descripci\u00f3n de redes neuronales; <\/p>\n

ii.) El caos<\/strong> es un concepto cosmol\u00f3gico cl\u00e1sico reelaborado por los medievales para mostrar la compatibilidad entre la filosof\u00eda natural y la interpretaci\u00f3n del G\u00e9nesis. Llull lo utiliza en este sentido durante el siglo XIII, \u00e9poca caracterizada por una agria disputa sobre la eternidad del mundo y la permanencia de la materia. En nuestros d\u00edas, es un concepto f\u00edsico-matem\u00e1tico que estructura aquellos fen\u00f3menos cuyos par\u00e1metros son inesperados e irregulares. Es una categor\u00eda b\u00e1sica en la predicci\u00f3n de acontecimientos en biolog\u00eda, meteorolog\u00eda y f\u00edsica; <\/p>\n

iii.) La fantas\u00eda<\/strong>, o capacidad de presentar im\u00e1genes, es una regi\u00f3n del cerebro donde, seg\u00fan las fuentes aristot\u00e9lico-gal\u00e9nicas, confluyen los procesos sensoriales e imaginativos del alma. Los medievales se apropiaron de esta descripci\u00f3n de la fisiolog\u00eda cerebral y estudiaron el papel de la imaginaci\u00f3n en la abstracci\u00f3n. La proyecci\u00f3n de im\u00e1genes es una caracter\u00edstica de nuestro tiempo, dado el gran n\u00famero de aparatos que utilizan este procedimiento para transmitir informaci\u00f3n; <\/p>\n

iv.) El arte<\/strong> para la Edad Media, que sigue la definici\u00f3n isidoriana transmitida de fuentes latinas, es el conocimiento de un conjunto de principios orientados hacia un fin. El arte se asemeja a nuestra actual \u00abciencia aplicada\u00bb, pero en el caso de Llull el ars<\/em> parte de la vida contemplativa y se instala en la educaci\u00f3n filos\u00f3fico-cient\u00edfica, buscando la resoluci\u00f3n de las diferencias teol\u00f3gicas. La concepci\u00f3n medieval del arte constituye, por su finalidad y por los resultados propuestos por Llull, un gran desaf\u00edo a nuestra idea de innovaci\u00f3n hoy tan cuestionada; <\/p>\n

v.) El di\u00e1logo<\/strong> como g\u00e9nero literario fue reelaborado por Ramon Llull en diferentes contextos y representado con personajes ins\u00f3litos -incluido \u00e9l mismo- para escenificar el contacto entre culturas, naciones y personajes hist\u00f3ricos: de los ermita\u00f1os a los elementos, de las fuerzas meteorol\u00f3gicas a las inteligencias separadas. La elaborada riqueza argumental, para cada personaje y di\u00e1logo, est\u00e1 introducida por un estado de confusi\u00f3n aturdido e inclemente, denunciado por Llull, matizado por ins\u00f3litos y parab\u00f3licos momentos de reflexi\u00f3n. <\/p>\n

 <\/p>\n

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