{"id":259701,"date":"2013-05-23T13:29:36","date_gmt":"2013-05-23T11:29:36","guid":{"rendered":"https:\/\/casanatense.cultura.gov.it\/sin-categorizar\/liebster-franz\/"},"modified":"2024-10-16T09:12:18","modified_gmt":"2024-10-16T07:12:18","slug":"liebster-franz","status":"publish","type":"post","link":"https:\/\/casanatense.cultura.gov.it\/es\/editoriales\/liebster-franz\/","title":{"rendered":"Liebster Franz!"},"content":{"rendered":"

[et_pb_section fb_built=\u00bb1″ admin_label=\u00bbsection\u00bb _builder_version=\u00bb4.16″ da_disable_devices=\u00bboff|off|off\u00bb global_colors_info=\u00bb{}\u00bb da_is_popup=\u00bboff\u00bb da_exit_intent=\u00bboff\u00bb da_has_close=\u00bbon\u00bb da_alt_close=\u00bboff\u00bb da_dark_close=\u00bboff\u00bb da_not_modal=\u00bbon\u00bb da_is_singular=\u00bboff\u00bb da_with_loader=\u00bboff\u00bb da_has_shadow=\u00bbon\u00bb][et_pb_row column_structure=\u00bb3_4,1_4″ admin_label=\u00bbrow\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb3_4″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.27.0″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

di Anna Alberati<\/em><\/h5>\n
Un autografo di Wagner in Biblioteca. Omaggio a Richard Wagner nel duecentesimo anniversario della nascita (Lipsia, 22 maggio 1813 \u2013 Venezia, 13 febbraio 1883) <\/em><\/h5>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_image src=\u00bbhttp:\/\/casanatense.cultura.gov.it\/wp-content\/uploads\/2024\/08\/Wagner-autografo.jpg\u00bb title_text=\u00bbWagner autografo\u00bb show_in_lightbox=\u00bbon\u00bb _builder_version=\u00bb4.27.0″ _module_preset=\u00bbdefault\u00bb border_radii=\u00bbon|5px|5px|5px|5px\u00bb box_shadow_style=\u00bbpreset2″ global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Wagner<\/strong>, Richard [Siegfried-Idyll<\/strong>. Poema sinf\u00f3nico: orch. Mi mayor. WWV 103] Siegfried-Idyll de Richard Wagner. Partitura \u2026 Mainz, B. Schott\u2019s S\u00f6hne, [1878], n. ed. 22430<\/p>\n

Impresi\u00f3n (litograf\u00eda); 1878; partitura; [4], 46 p.; 35 cm<\/p>\n

Partitura: fl, ob, cl1, cl2, tr, cor1, cor2, fag, vl1, vl2, vla, vlc, cb<\/p>\n

En la portada: Dedicaci\u00f3n manuscrita aut\u00f3grafa del Autor a Franz Liszt: Liebster Franz! \/ Sei nicht b\u00f6s dass \/ ich dir diese schicke. \/ C\u00f6sel [?] hat\u2019s erlaubt! \/ Von ganzer Seele \/ grusst dich \/ Lieben dein \/ Wagner<\/p>\n

Procedencia: Fondo Sgambati\u00a0 Inv. 289478<\/p>\n

El Siegfried-Idyll<\/strong> o Idilio de Sigfrido, un \u201cpoema sinf\u00f3nico\u201d para peque\u00f1a orquesta, en Mi mayor, es una de las poqu\u00edsimas composiciones instrumentales de Wagner, y est\u00e1 estrechamente vinculada a la vida privada del m\u00fasico. La ma\u00f1ana del 25 de diciembre de 1870, de hecho, d\u00eda de Navidad y al mismo tiempo d\u00eda del trig\u00e9simo tercer cumplea\u00f1os de su esposa Cosima (hija de su amigo Franz Liszt y de Marie d\u2019Agoult), Wagner le dio una sorpresa con la ejecuci\u00f3n de esta pieza, en la villa de Triebschen en el lago de Lucerna, su residencia desde 1866, dirigiendo \u00e9l mismo a los trece m\u00fasicos de la peque\u00f1a orquesta, que estaban dispuestos en las escaleras. Las palabras de Cosima en su diario revelan toda su emoci\u00f3n: \u00ab\u00a1Era m\u00fasica, y qu\u00e9 m\u00fasica! Cuando termin\u00f3, Wagner vino a m\u00ed con los ni\u00f1os y me ofreci\u00f3 la partitura del poema sinf\u00f3nico para mi cumplea\u00f1os\u00bb. El regalo tambi\u00e9n testimoniaba la felicidad y la serenidad de aquel periodo, que hab\u00eda visto la reciente celebraci\u00f3n del matrimonio y el nacimiento, el 6 de junio de 1869, del tercer hijo, Siegfried, el primer hijo var\u00f3n, a quien la composici\u00f3n est\u00e1 idealmente dedicada.<\/p>\n

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Sigue ahora el perfil cr\u00edtico de la composici\u00f3n redactado por el m\u00fasico Alberto Veronesi:<\/span><\/p>\n

\u201cEl material del que se compone, ya tan rico en significados emocionales personales, deriva sin embargo de un momento preciso de la acci\u00f3n de la segunda jornada del Anillo, y precisamente del poderoso d\u00fao final del tercer acto de Siegfried, antes de las palabras de Br\u00fcnnhilde \u00abEwig war ich, ewig bin ich\u00bb (Eterna fui, eterna soy), que introducen su decisi\u00f3n de aceptar el amor de Sigfrido. Este material musical est\u00e1 constituido esencialmente por dos temas estrechamente relacionados entre s\u00ed, que Wagner hab\u00eda esbozado mucho antes de decidir su utilizaci\u00f3n en la obra: es decir, en el verano de 1864, durante la primera estancia con Cosima, entonces a\u00fan esposa de Hans von B\u00fclow, en el lago de Starnberg cerca de M\u00fanich, con la intenci\u00f3n de confiarlos a las voces \u00edntimas de un cuarteto de cuerdas. Sobre todo el primero de estos temas, basado en la llamada melod\u00eda de la paz, en mi mayor, tan elemental como intenso, estaba profundamente ligado al sentimiento de amor que lo un\u00eda a Cosima. Pero m\u00e1s all\u00e1 de cualquier referencia autobiogr\u00e1fica o sentimental, la elaboraci\u00f3n de los motivos, su entrelazado contrapunt\u00edstico y su desarrollo en el fluir tranquilo y sosegado de la m\u00fasica, hacen de la partitura del Idilio de Sigfrido una de las creaciones m\u00e1s perfectas y refinadas entre todas las que salieron de la pluma de Wagner: aqu\u00ed, un distribuidor fin\u00edsimo, con medios reducidos, de sutilezas t\u00edmbricas y arm\u00f3nicas de rara ligereza, en una dimensi\u00f3n camer\u00edstica enso\u00f1ada y abierta a la luz, y en una luz culminante de apoteosis: quiz\u00e1s la p\u00e1gina m\u00e1s serena y alegre de toda su vida de artista\u201d.<\/p>\n

El ejemplar de esta edici\u00f3n, presente entre los fondos de la Biblioteca Casanatense, y enriquecido con la dedicatoria manuscrita aut\u00f3grafa<\/strong> de Richard Wagner a Liszt, forma parte del Fondo musical<\/strong> Sgambati<\/strong>, y probablemente fue un regalo hecho al m\u00fasico Giovanni Sgambati por su maestro y amigo Franz Liszt despu\u00e9s de 1878, a\u00f1o de la publicaci\u00f3n.<\/p>\n

En la dedicatoria, Wagner ruega a su gran amigo y protector Liszt, ahora tambi\u00e9n su suegro, que acepte sin enfadarse este regalo de la partitura impresa del \u201cSiegfried-Idyll\u201d, enviado por \u00e9l con la aprobaci\u00f3n de Cosima:<\/p>\n

Liebster Franz! \/ Sei nicht b\u00f6s dass \/ ich dir diese schicke. \/ C\u00f6sel [?] hat\u2019s erlaubt! \/ Von ganzer Seele \/ grusst dich \/ Lieben dein \/ Wagner<\/p>\n

(\u00a1Querid\u00edsimo Franz! No te enfades porque te env\u00edo esto. \u00a1Cosima [?] me ha dado permiso! De todo coraz\u00f3n te saluda tu querido Wagner)<\/p>\n

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