{"id":259718,"date":"2012-02-29T15:34:00","date_gmt":"2012-02-29T14:34:00","guid":{"rendered":"https:\/\/casanatense.cultura.gov.it\/sin-categorizar\/feliz-cumpleanos-gioachino\/"},"modified":"2024-10-16T09:20:02","modified_gmt":"2024-10-16T07:20:02","slug":"feliz-cumpleanos-gioachino","status":"publish","type":"post","link":"https:\/\/casanatense.cultura.gov.it\/es\/editoriales\/feliz-cumpleanos-gioachino\/","title":{"rendered":"Feliz cumplea\u00f1os, Gioachino"},"content":{"rendered":"

[et_pb_section fb_built=\u00bb1″ admin_label=\u00bbsection\u00bb _builder_version=\u00bb4.16″ da_disable_devices=\u00bboff|off|off\u00bb global_colors_info=\u00bb{}\u00bb da_is_popup=\u00bboff\u00bb da_exit_intent=\u00bboff\u00bb da_has_close=\u00bbon\u00bb da_alt_close=\u00bboff\u00bb da_dark_close=\u00bboff\u00bb da_not_modal=\u00bbon\u00bb da_is_singular=\u00bboff\u00bb da_with_loader=\u00bboff\u00bb da_has_shadow=\u00bbon\u00bb][et_pb_row column_structure=\u00bb1_4,3_4″ _builder_version=\u00bb4.27.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttp:\/\/casanatense.cultura.gov.it\/wp-content\/uploads\/2024\/07\/rossini.jpg\u00bb title_text=\u00bbrossini\u00bb _builder_version=\u00bb4.27.0″ _module_preset=\u00bbdefault\u00bb width=\u00bb85%\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb3_4″ _builder_version=\u00bb4.27.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Gioachino Rossini, uno de los compositores italianos m\u00e1s brillantes y conocidos, naci\u00f3 en Pesaro hace exactamente 220 a\u00f1os, en un a\u00f1o bisiesto, el 29 de febrero de 1792.<\/span><\/p>\n

.<\/p>\n

En la Biblioteca Casanatense, adem\u00e1s de una serie de transcripciones de sinfon\u00edas y arias de numerosos melodramas rossinianos, tanto en copia manuscrita como en ediciones impresas, se conservan las ediciones originales de 3 drammi per musica, impresas en Roma por la Litografia Ratti e Cencetti, todas ellas procedentes del Fondo Baini.<\/p>\n

Dramas para m\u00fasica<\/strong>.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

1. Mois\u00e9s en Egipto.\u00a0<\/em>Acci\u00f3n tr\u00e1gico-sacra en 3 actos, con libreto de Andrea Leone Tottola, basado en la tragedia L’Osiride<\/em> de Francesco Ringhieri. Se represent\u00f3 por primera vez en el Teatro San Carlo de N\u00e1poles el 5 de marzo de 1818, con \u00e9xito, aunque el p\u00fablico apreci\u00f3 m\u00e1s los dos primeros actos que el \u00faltimo. Rossini, de hecho, tuvo que reescribirlo por completo, y a\u00f1adir la famosa oraci\u00f3n Dal tuo stellato soglio<\/em>, el fragmento m\u00e1s c\u00e9lebre de la \u00f3pera. Cay\u00f3 en el olvido despu\u00e9s de la nueva versi\u00f3n francesa, titulada Mo\u00efse et Pharaon<\/em>.\u00a0[Mus. 182-183]<\/p>\n

2. Ricciardo e Zoraide.<\/em> Drama serio en dos actos, con libreto de Francesco Berio di Salsa, quien ya hab\u00eda escrito para Rossini el libreto de su Otello, y est\u00e1 parcialmente basado en el poema\u00a0Ricciardetto<\/em> (1783) de Niccol\u00f2 Forteguerri.\u00a0Se represent\u00f3 por primera vez en el Teatro San Carlo de N\u00e1poles el 3 de diciembre de 1818.\u00a0[Mus. 184-185]<\/p>\n

3. El asedio de Corinto o Maometto II.<\/em> Tragedia l\u00edrica en 3 actos, con libreto de Calisto Bassi. Maometto II<\/em> fue escrito con libreto de Cesare Della Valle, basado en la tragedia Anna Erizo\u00a0<\/em>(escrita por el mismo Della Valle), inspirada en el episodio de la guerra entre Venecianos y Turcos y la ca\u00edda de Negroponte en 1476. Se represent\u00f3 por primera vez en el Teatro San Carlo de N\u00e1poles el 3 de diciembre de 1820, y fue un fracaso, debido principalmente al final demasiado tr\u00e1gico (algo raro en Rossini). Para una representaci\u00f3n posterior en Venecia en 1822, Rossini modific\u00f3 algunas piezas y cambi\u00f3 el final tr\u00e1gico por uno feliz, utilizando el famoso rond\u00f3 de Elena de La Donna del lago<\/em>,\u00a0pero la \u00f3pera tampoco tuvo \u00e9xito. M\u00e1s tarde, Rossini elabor\u00f3 para el escenario parisino una revisi\u00f3n de la \u00f3pera, adaptando algunas piezas y componiendo otras nuevas: en 1826 debut\u00f3 El asedio de Corinto<\/em>, con buen \u00e9xito de p\u00fablico, y la fama de L’assedio<\/em> eclips\u00f3 la de Maometto<\/em>, que no se volvi\u00f3 a representar. [Mus. 176-178]<\/p>\n

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